This film aims to draw emotions and it does EXACTLY that... the ending is strangely inconclusive, but who cares. The cinematography and the setting [of the natural beauty of the countryside of Vietnam] are simply perfect, and they force the audience to FEEL.
Unlike traditional Vietnamese films, this one is fearless, it isn't afraid to show 'flesh' to create the desired effect. The intimate scenes are quite explicit, but their purpose (to provoke) is always fulfilled. Unlike the intimate scenes, the 'truly' sombre scenes are subtle; that is, the sadness is conveyed by quiet expressions and soft cries NOT melodramatic tantrums. I say 'truly' because the 'grey-blue' lighting that persists throughout the film establishes a 'constant' sombre atmosphere.
To wrap it up, the film honestly portrays life, a family and its constituents (three of which are VERY sexual beings). I wonder why it's named 'Bi, Don't Be Afraid', perhaps he has nothing to be afraid of because he's 'emotionally' oblivious to the 'terrors' of the world.
Once again, one of those films that I can't rate.
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